Wednesday, January 16, 2013

What Every Woman Knows (Play)

      J. M. Barrie What Every Woman Knows (1908) In style and tone, a cross between Pinero and Wilde. Some very good satire on the solemn (as opposed to the serious) man. A pseudo-Shavian play, not as acerbic or subtle as Shaw’s works, yet treating the same themes. Maggie the wife is of course the driving force in her husband John Shand’s political career, a fact he never fully acknowledges, although he eventually recognises her value to him, and even, in his awkward, self-centred way, comes to love her. Shaw did it much better, but Barrie did it more palatably: he didn’t insult his audience the way Shaw did. A nicely done play, which could be done successfully now, if the director can find the right balance between affectionate respect and camp. **½

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Mice in the Beer (Ward, 1960)

 Norman Ward. Mice In the Beer (1960. Reprinted 1986) Ward, like Stephen Leacock, was an economics and political science professor, Leacock...