Ngaio Marsh. Swing, Brother, Swing (1949) A murder takes place in plain view of a roomful of restaurant guests, including Alleyn. The puzzle is one of Ngaio’s lesser efforts, too tricky by half, and with insufficient clues, but the story-telling and the characterisations are as usual very well done. **½ (2007)
Ngaio Marsh. Opening Night (1951) One of Marsh’s best: it’s about theatre and Theatre, told mostly through the viewpoint of Martyn Tarne, a New Zealander whose cash was stolen shortly after her arrival in England and who fetches up at the Vulcan Theatre, run by a distant relative of hers. The theatrical plot is complex, the characters are believable, the on- and back-stage atmosphere is beautifully rendered, and the murder, when it comes, is seamlessly integrated into the story of how Martyn comes to go on as understudy and succeeds in her role and ambition. Alleyn does a neat job of ‘tecking, but we’re used to that. Wonderful book, worth reading as a story about theatre (with a bit of crime included.) **** (2007)
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