Art – random thoughts.

Art, like money, is what we think it is. That’s why money is, apparently, the only measure of art. If it’s free, it’s not art. Or so it seems.

Painters were once prized as picture makers. Cameras have devalued the craft of making pictures by hand. That has shifted the focus to making pictures worth looking at. Composition now matters in ways it did not matter before. Hence abstract art, which is pure composition. Impressionism, which refuses to provide the optical illusion of reality. Expressionism, which claims to show emotions and meanings directly. Pop art, which detaches the image from its context. And so on.

Even photographers now attempt to do something other than make a naïve representation of reality. The subjects are staged, disparate objects are brought together in front of the camera, the photographer moves around to get the best angle of view, digital technologies enable manipulation well beyond the capabilities of the darkroom. 

Old and new image-making technologies are attempts at exploring and redefining picture-making in order to make images worth looking at.

All the while, the ease of making images has discouraged looking. Too many images – very few worth a 2nd look – how do we know that worth? By their nagging presence in memory? By the content? By the palette? The composition?

Any or all of these will make an image stick. The unpredictable part is individual preference or taste. And that perhaps even more elusive entity, meaning. All images signify, but what they signify depends on how the viewer decodes what they see. That includes the image maker, whose perception of meaning is no better or more valid than any other. The image maker’s intention cannot overcome the inherent ambiguities in the image. This inability to determine the significance of the work is common to all forms and modes of expression. Including this one, which is certain to be misunderstood, to be interpreted in ways I do not intend and cannot prevent. This lack of control explains the futility of censorship.

Curling with the Devil (Mitchell, The Black Bonspiel of Willie McCrimmon)

 W. O. Mitchell. The Black Bonspiel of Willie MacCrimmon. (1993) Mitchell’s version of a folk-tale trope: the defeat of the Devil. “Mr Cloutie”, on one of his regular visits to Shelby, Alberta, needs his curling boots repaired. Willie MacCrimmon obliges, one thing leads to another, and he’s pledged his soul if he loses a match against Mr Cloutie and his hellish rink, but gets a guaranteed slot at the Brier if he wins. Mrs Brown, wife of one of MacCrimmon’s rink, opposes curling on Sunday, and has guilted Mr Pringle, the United Church minister, into announcing the prohibition from his pulpit. That and several other obstacles must be overcome, but of course MacCrimmon’s rink wins, and they advance to the Brier. All’s well that ends well, as in any well-made fable it should.

Mitchell’s ability to puncture hypocrisy, show up the confusion of respectability with morality, and other sins makes this more than a mere entertainment. It also affirms, rightly, that curling is the true Canadian game. This edition has nicely apposite illustrations by Wesley W. Bates.

Recommended, if you can find a copy (I’m keeping mine). ****

The Pegnitz Junction (Gallant, 1982)

Mavis Gallant. The Pegnitz Junction. (1982) The title novella plus five short stories, all about post-war Germany. They have the ring of truth; Gallant knows herself, and so knows the human heart and mind. She notes the small gestures, the shifts in voice and posture that express emotions and hint at thoughts, the conventional speech that hides true feelings. She is a writer “on whom nothing is lost”. She has a subtle and ruthless moral sensibility, presenting us with characters who condemn themselves with their words and actions.

Post-war Germany was unmoored, aware of but unwilling to face its past, unable to do more than reconstruct a material prosperity that served as a shield against unpleasant thoughts and memories. Austria also was mired in this moral vagueness and ambiguity. That’s likely why I found these stories strangely familiar and unsurprising.

An early collection, before Gallant’s skill and artistry were widely recognised. Recommended. ****

The Defiant Agents (Norton, 1962)

Andre Norton. The Defiant Agents. (1962) From the back-cover blurb: “Travis Fox, once the unwilling captive of the run-away spaceship Galactic Derelict, has volunteered - eagerly - for the mission to colonize Topaz....” Some kind of mind-alteration reverts the colonists to their Apache ancestry. A similar technique has reverted a rival group of Russians to their Mongol ancestry, and so we have a conflict. The Russians are also subject to vicious mind-control which makes them robot-like slaves to their (unchanged) Russian masters. The assumption that far future space travel would be dominated by the rival USA and USSR demonstrates the common argument that5 SF is about the present. The mind-altering  element recalls the Cold War fear of "brain washing".

There are also mysterious ruins left behind by previous occupants of the planet. This subplot is scanted, I think because pulp publishers wanted short books.

Norton has worked out most of the glitches in this set-up, and provides a typical mid-century pulp entertainment, weak on character and ambience, but strong on plot. It reads like a magazine serial. A pleasant entertainment for SF fans, this is an early work. Norton became one of the masters. **

Q is for Quarry (Grafton 2002)

 Sue Grafton. Q is for Quarry. (2002) Two retired detectives ask Kinsey to help them solve a cold case. They can flash their badges, and call in favours from old colleagues and have new evidence processed, but Kinsey can get unforced and therefore likely more truthful evidence from the people who may be involved.

About twenty years earlier, an unidentified girl’s body was found at the edge of a quarry. The task seems simple: find out who she was, and the murderer should be easy to find.

The quarry happens to be on land belonging to Kinsey’s family; the subplot of her still unwilling response to her relatives’ fence-mending attempts isn’t needed to make a good story, but Grafton’s fans want to know more about Kinsey, and Grafton (and her publisher) are happy to oblige.

A well done puzzle. The basic facts are real: there really was an unknown girl found near Santa Barbara. Grafton’s solution is ingenious, plausible, and entirely fictional. Wikipedia has the current status of the still unsolved cold case.

Recommended. ***

Boomps-A-Daisy Timing Solves the Crime (Death and the Dancing Footman, Ngaio Marsh 1942)

Ngaio Marsh. Death and the Dancing Footman (1942). A re-read, and more enjoyable because this time I could see how Marsh constructed the puzzle and developed characters just enough to engage our sympathies. She’s good at using stereotypes for ambience. This novel is now an historic document showing what the readers of the time expected by way of comic relief, and what they took for granted about the social fabric of their time.

The puzzle centres on a radio used to provide an alibi. Times are of the essence, and the footman’s dance, executed when he hears a popular song on the radio, crystallises the timetable. A suitable mix of motives, past griefs and conflicts, and present evils complicates Alleyn’s work, and provides the narrative texture that satisfies the reader. Me, in this case.

Recommended. ***

The Singing Detective (1988)

 

 Dennis Potter. The Singing Detective. (1988) Script of the TV series, which we enjoyed very much. Reading this, I realised how much I’d forgotten or missed. The detective figures in the fictions of a writer hospitalised for severe psoriasis. There are both fictional and real-life mysteries, the central one being how and why they intersect in the writer’s memory, and how real life translates into fiction. Potter layers present and past, memory and reality, songs and stories, family and social connections, acceptance and refusal of the truth (such as it is). The TV series is available online (recommended). I found this book resolved some puzzles, but mostly showed me how little I had absorbed the first time round.

Recommended. ***