Ozzie Murder: Upfield's Murder Down Under (1937)

 Arthur Upfield. Murder Down Under (1937) A station-owner’s car is found nose-down in a ditch next to the rabbit fence, with no trace of its driver. Detective Inspector Napoleon Bonaparte ('Bony') is detailed to masquerade as a rabbit inspector while investigating the disappearance. He listens to people talk, asking casual questions that prompt more conversation, until the pattern emerges. Bony’s focus on psychology gets him the information he needs. Passion and greed have combined to motivate murder.
     I like Upfield’s books. They have their weaknesses: his writing reminds me of The Boy’s Own Paper, but with a somewhat more adult understanding of human relationships. The clues are placed fairly, with few red herrings. Class tends to overwhelm character. A gentleman is polite, cultured, courageous, chivalrous, generously condescending to his social inferiors, skilled at solving problems but not an intellectual, and so on. Very much a B.O.P hero.
     Still, Upfield’s treatment of aboriginals is well ahead of his time. He reproduces their dialect, but they are not inferior to the white settlers. Upfield frequently makes a point of disapproving racial prejudice. Bony asks for help from whomever can supply it. He doesn’t like bureaucracy and red tape and official procedures, especially when they obstruct his investigation. Australian society of the 1920s suffered from the same class structure as Britain, and this too interferes with Bony’s work. The overall impression is that Upfield shares his hero's aversion to authority. The books are well done entertainments with a strong subtext of social criticism.

     Recommended. ***

Pictures and words: A Walk With Me (Frostic, 1958)

    Gwen Frostic. A Walk With Me. (1958) Frostic was a Michigan artist and author, best known for her linocut prints. She set up a successful printing business, selling her prints and greeting cards, stationery and gift items based on her artwork. See more on Wikipedia.
     This book is an example of her work. Printed on deckle-edge paper in earth colours, it’s a mix of text and pictures. I like the images, Frostic has an excellent eye for shape, texture and composition. The images of leaves, landscapes, animals, etc are not only accurate but evocative. Her art is semi-abstract but accurate depiction of natural beauty.
     The texts are not up to the standard of the picturers. She uses a lot of ellipses... to make the reader pause... and take thought... and perhaps... recreate Frostic’s experience... of walking among trees... and shrubs... and flowers... noticing the little things... like mushrooms... and frogs... thus achieving insights... into the mystery... and spiritual meaning... of the natural world.
     An interesting book. Beautifully printed, it’s an example of the book as art or craft object. **

Footnote: This copy was given "With all good wishes to our "Other Bishop - in the north country - Faithfully, Anna May Johns, Midland Mich."

Michael Everett Glover: The Big Lonely and Beyond

Michael Everett Glover. Big Lonely and Beyond (2009) Anyone who’s driven any stretch of the Transcanada Highway knows why the Big Lonely is a good name for it. This book records some of Glover’s travels.
     The sketches are naturalistic, sometimes impressionistic. His paintings are semi-abstract realist. Buildings, boats, cars, railroads, grain elevators, and skies are among his favourite subjects. This sketchbook shows off his skill as a draftsman and his skill in combining and layering shapes to form a composition, His paintings display the same skill in composition plus eye for colour. His palette recalls the Group of Seven, who saw the same colours on their travels. It’s a Canadian thing.
     Glover’s work has a elegiac ambience, often showing us how the works of human beings fade away. But the land endures. We have three of Michael’s small paintings. His website is at https://www.meglover.ca/
     Full disclosure: Michael has been stopping by on his journeys across the country for several years now. He gave us a copy of this book shortly after he published it. I like looking at it. ****

More small victories: Stories From The Vinyl Cafe (1995)

Stuart McLean. Stories From the Vinyl Café. (1995) I like Stuart McLean’s stories. Reading his anthologies, I can hear his voice. His radio show was a staple in our house. This is another feast for his fans, and as good an introduction as any for those unfortunates who don’t yet know his work.
     Why do I like his stories? One reason is sentences such as Sam was pouring his own cereal, getting most of it into the bowl.
     Recommended. ****

Econ 101: The supply web.

Consider the ball point pen. It’s cheap, it’s everywhere, it’s still useful despite the increased digitisation of our everyday lives. Millions are sold every day. Millions are discarded every day, too.

The earliest versions of the ballpoint pen date from the 1800s. They were unreliable. The ink usually blobbed and smeared, or dried out. The ball didn’t transport the ink reliably, so the pen skipped, and the writing felt rough. Its modern version was invented by Laszlo Biro, with the help of his brother Gyorgy and friend Juan Meyne. It’s a triumph of technology. Without modern applied chemistry and physics, the pen would be neither reliable nor cheap. Only pencils are cheaper. The vast majority of ballpoint pens are disposable. Even refillable ones are usually thrown out.

The simplest ball point pen is the Bic Cristal™. It has seven components:

1. Barrel: plastic. 2. Cap: plastic. 3. Plug: plastic. 4. Ink reservoir: plastic. 5. Ink: dyes, alcohols, fatty acids. 6. Ball: metal. 7. Ball socket: metal

All parts begin as ores and oil, raw materials which are refined to make feedstock (plastics, metals, ink) with which to make the parts of the pen. The pen is made by the thousands on machines that began as raw materials that were processed into parts for assembly. The pens are packaged, warehoused, and eventually shipped to the retail store. The packaging, warehousing, and transportation also began as raw materials.

The sequence from raw material to final product is called the supply chain. But it’s really a supply web. I have two observations about the supply web.

One, it’s fragile, because every member of it tries to reduce costs. A failure by any member to deliver what’s asked will ripple through the web, sometimes causing shortages of apparently unrelated products. Resilience requires excess capacity, but excess capacity is unused most of the time. That looks like unproductive cost to the accountant, so it’s reduced and even eliminated.

Two, we rely on people to do their work well at every step. The ballpoint pen has involved hundreds of people, from the producers of the ores and oil to the truckers that delivered the product to your local store,. Of these hundreds of people, the only one you deal with in person is the store clerk.

Edited for clarity 2023-10-25

Cigarette advertising of the 1950s

This ad from the 1950s shows how carefully the nicotine drug trade hid the health risks from their clients. Camel cigarettes are made by R. J. Reynolds. They were introduced in 1913. Early ads boasted that the high quality of the tobacco prevented the offering of prizes or premiums, which was a common marketing ploy at the time. (See also cigarette cards.)

The obvious ploy of this ad is of course the link to doctors, who presumably wouldn’t smoke unhealthy cigarettes. The “T-Zone” blurb reinforces that message, as does the cosy middle-class ambience of a well-dressed mother (note the hat) with her well-dressed and intelligent daughter (her plaid skirt hints at a school uniform) facing an avuncular doctor dressed in medical whites and with reassuring grey at the temples. This is a doctor with experience. The books ranged behind the mother tell us he’s well-educated as well as kindly. A doctor to trust.

The ad copy is careful to say exactly what the surveys found, that the most-named brand was Camels. The copy doesn’t give us all the survey data, though. It doesn’t, for example, tell us how many doctors said they didn’t smoke. It doesn’t even tell us how many doctors named Camels, because a smallish number might suggest that many other brands were also popular, or that most doctors didn’t smoke at all. But it does tell us that 113,597 doctors were asked. A reassuringly large, and above all precise number.

The ad is a nice example of how to use images, words, and numbers to create an impression. That the impression may be misleading or false is not, of course, the advertiser’s fault. After all, there isn’t a single false statement anywhere. If the reader of the ad comes away believing that Camel cigarettes are healthy, well, you can’t control people’s thinking. Can you?

Advertising is applied poetry and fiction in the same sense that engineering is applied physics and chemistry. Reading a poem or story creates an imagined experience. So does reading an ad. Watching a story on film or TV creates an imagined experience, too. So does the commercial that interrupts the program. Narrative art controls the reader’s attention. So does an ad. Done skilfully, the ad creates an experience that will prompt the viewer to choose the product the next time they are shopping.