Starlight (Bester, 1976): Classics from the Sci-Fi Golden Age.

 Alfred Bester. Starlight (1976) A combination of two previous anthologies. Bester is IMO an under-rated sci-fi author. He was a competent genre writer, and several of his sci-fi stories are classics. For example They Don’t Make Life Like They Used To, which tells of a man and a woman marooned in a city after an unexplained catastrophe that removed all other humans. She’s careful to tot up all her “purchases” at the stores. He’s anxious to find a TV repairman so that he can watch his favourite shows. Read it to find out what happens. The twist at the end is typical of Bester’s stories. He wrote for a market and did it well. I enjoyed re-reading this collection. ** to ****.

The report of the Amazon outage led me to reflect on the Internet and other things.

The Internet was devised to be resilient, hence its decentralised design, and its multi-path topology. DARPA (the Pentagon’s research & development branch) paid for it. Then (of course) the private sector took it. Now we have Amazon, Google, Microsoft etc violating the principle of decentralisation. That clearly makes the internet less resilient. The outage occurred in one of Amazon’s server centres, but if affected all of its network, and caused problems to millions of its customers.

The outage demonstrates the weakness or flaw of centralised control. Yet humans repeatedly strive to achieve just that. The ultimate centralised control in politics is totalitarianism, usually realised in a dictatorship. But oligarchy serves the purpose well enough that it’s the most common form of polity. Democracy touted as a system of voting for the leaders hides that unpleasant fact.

I think that democracy is better defined as a system of reaching consensus. Such systems have existed on the tribal and village level. At the tribal level, centralised control is reserved for war, when reaching consensus would take too long, and so the efficiency of a war chief as leader is worth the sacrifice.

Control is about information. Democracy as the method of consensus attempts to gather and disseminate information from everyone. When everyone listens to everyone else, there is an automatic error-correction. The best available information will usually determine the consensus. Usually, because values and desires also play a role, and we are willing to put up with less than the best in order to preserve our values or satisfy some desire.

Totalitarianism strives to concentrate all information in one person or small group. Since that means constant cognitive dissonance for most people, I wonder why it’s accepted. It seems we can tolerate a certain amount of cognitive discomfort. When too many people reach an uncomfortable level, there will be agitation for political change. So the aim of totalitarians is to keep cognitive dissonance within tolerable levels, and to deflect the inevitable anger onto some easily identifiable target. Orwell showed how that works in 1984. It seems the people behind Trump have understood his explanation, and are trying to install a self-perpetuating system.

Footnote: More on the development of the internet here: Arpanet Etc

The Door To Anywhere (Pohl, 1967)

Frederik Pohl. Door To Anywhere (1967) Retitled reprint of The Tenth Galaxy Reader. Pohl’s selections are all worth reading; several have become classics of short science fiction. The 60s saw a shift from techno space opera to fictions speculating about the social and psychological effects of technical progress. Or rather, innovation; the stories generally clarify that innovation and progress are not synonyms.

Two samples: The Tunnel Under the World, in which miniature androids living in a miniature world harbour the minds and memories of real people, thus making them ideal test subjects for adverting campaigns.

An Elephant for the Prinkip, in which a spacer contracts to deliver an elephant to a collector of beasts. It’s a joke tale, but fun. The narrator ends up with are responsibility he didn’t count on. He should’ve read every word of the contract.

A good record of what sold in the 1960s sci-fi market. Recommended for any sci-fi fan. ***