The Harlequin Tea Set: More Christie short stories

 

    Agatha Christie. The Harlequin Tea Set... (1997) Except for the last two, these stories were published in various magazines and not collected until now. All except one were written in the 1920s and 30s; they cater to the taste of that time. Christie shows she can write romance, often with a touch of the supernatural, psychological studies, and of course whodunits. Christie had mastered the craft long before she became the Queen of Crime.
     The plots generally have a twist calculated to surprise the reader, such as a star actress who doubts her skills, yet uses them to trick a would-be blackmailer into leaving the country, thus proving to herself that she’s a real actress. All are written to create an ambience, a mood: a small statue of some pagan god displayed in a museum becomes the occasion of two lonely people meeting and falling in love. Poetic justice figures in most of them, as in the story where a woman marries well after losing her first love, who reappears, and then kills himself so that she will not be tempted to leave her husband. But she will now forever know that he died not realising that she had become a morally lazy lover of creature comforts who would never have left her rich husband.
   And so on. Christie fans will be happy, and the casual reader may be entertained.  Perhaps useful for anyone wondering about their ancestors' taste. * to ***

2026-06-02: Edited.

The Mean Streets: Private Eye Stories.

     Bill Pronzini & Martin Greenberg. The Mammoth Book of Private Eye Stories (1988) The PI story is quintessentially American. Since about 1950, writers in other countries have tried their hand at it, but my reading suggests that they capture the bleak existentialism of the PI tale best with police officers, perhaps because the PI in most of the US has a larger scope of action than in Europe.
     The editors offer these tales in chronological order by author birth dates. A couple are duds, not because of the plots but because of the writing. Whether first or third person, it’s the PI’s off-hand observations about the weather, the characters’ faces, the smells and sounds of morning-after bars, that create the ambience which convinces us that these dark fantasies are true. That’s a style that’s easy to parody and difficult to do well.
     All the expected authors are here, Chandler, Hammett, Ross MacDonald, Sue Grafton, and so on, as well as some I know only from reviews. A wonderful potato-chip book, you read one story, and you want to read the next one just to taste that dark and near-despairing view of life again.
     Recommended, if you can find a copy. Numerous typos mar an otherwise near-perfect collection: the effect of early use of spell-checking, no doubt. ***

Oil Cartel, anyone?

Today's New York Times reports that OPEC and Russia will be meeting (probably) to discuss a freeze on pumping oil, and perhaps exercise "market discipline."

What is market discipline? An agreement among sellers to control prices. Which happens to be illegal everywhere. Well among the G20, anyway. So why is OPEC allowed to get away with it?

The Limits of Knowledge

 Theory, Model, Algorithm, and the Limits of Knowledge

Three terms that are often used interchangeably. They do have something in common, we’ll see what it is after an attempt to differentiate them, by describing how what they refer to differs.

Framework: The world we live in is “reality”. We interact with it in various ways. As we grow from infancy to adulthood, we develop various methods of predicting how reality works so that we can get what we need and want. Explicit ideas about how reality works are the theories on which we base our actions. We reason about the state of reality right now so that we can change it to suit ourselves. For example, we plant seeds when we figure the weather is favourable so that we get tomatoes a couple of months later. We add fertiliser and soil conditioners and water to ensure that the tomatoes will grow. Those actions are based on a bundle of ideas and observations that form a more or less coherent theory about how tomatoes grow from seeds.

Theory: An explanation of how something works the way it does. It’s what you get when you test a hypothesis, which is a more or less speculative explanation of some observation(s). A good hypothesis links the observation(s) to some existing explanation, and predicts additional observation(s). If those predictions are proved true, then the hypothesis is confirmed and becomes a theory. A good theory implies or suggests further hypotheses, which in turn imply new observations. When a theory is applied to some practical problem, we get a model. That, and the desire to just figure things out, are what drives science and engineering.

Model: An explanation that can be used to predict how some part of reality will work. We use this term because a conceptual model about growing tomatoes is analogous to a physical model of, say, a steam locomotive. A scale model is not a replica, it is something that looks like, and in a limited way works like its prototype. The model locomotive may operate on steam as the prototype does, but even so, there will be compromises. E.g., the thickness of the boiler shell will not be to scale for that would make it too weak to contain the necessary steam pressure. And so on.

We use both models and theories to plan what to do so as to get some desired result. The difference is subtle. We test a theory’s predictions in order to discover its limits, so that if necessary we can modify it or even replace it. We use a model within its limits to control some aspect of reality as much as possible. We may use a model to test a theory; an experiment is a model constructed from that part of a theory that we wish to test. It’s not easy to derive a model from a theory: models also have to be tested.

Both models and theories are true insofar as they work. When a model becomes a precise set of rules, it becomes an algorithm.

Algorithm: A set of procedures applied to some inputs that will produce outputs in a predictable way. Thus, “long division” is an algorithm because it describes how to manipulate the input numbers (divisor and dividend) to get the answer (quotient). A recipe for a toasted cheese sandwich is an algorithm because it describes how to manipulate the inputs (ingredients and  heating device) so as to get an output (tasty sandwich). And so on.

Algorithms are everywhere. They are especially handy for determining future values of present states. In this sense, an algorithm is a knowledge machine: input information about “this thing here and now”, turn the crank, and you get information about “this thing somewhere, somewhen, somehow else”.

If the above comments make sense, we may see a model as a set of interrelated algorithms, and a theory then becomes a set of validated and interconnected models.

And that brings us to what they have in common: All three are modes of gaining new knowledge. All three operate on the same fundamental principle: “If you do this, you will find out that”. None of them “describe reality”. They describe only how we may observe certain aspects of reality. Which ones? Those that the theory or model or algorithm “is about.” What “is about” means is not easy to say. An example will explain (as far as the example applies, that is):

We may use Newton’s laws of motion to build a model that calculates the course of a rocket launched towards Jupiter. If we know its mass and its velocity, the varying gravitational forces of the Moon and Mars, the trajectory of the rocket, etc, we can calculate, and recalculate, its course to whatever precision we like. But the model will tell us nothing about the health of the crew, if any. If we want to know that, we need another (and more complicated and less certain) model. The model cannot tell us what the rocket “really is”, only how it interacts with gravitational fields and the reaction forces of its engines. If we want to know other things about it, we must use other models. What’s more, even to monitor the course of the rocket, we have to use other models.

Thus all theories, all models, all algorithms are knowledge engines. They are epistemological devices. But they are limited. They can’t tell us what some entity really is, only how we can interact with it, and what will happen when we do so. Even the notion of “entity” is fundamentally epistemological: An entity is a more or less consistent bundle of expected interactions. If any of them are missing or unexpected, we doubt that we are interacting with that entity. It may be an hallucination, or a dream, or a fake, or merely an image of the entity

Kant was right, I think: There is no way to know reality in itself. That doesn’t mean there is no reality “out there”. It just means that we can know only our interactions with it. That we can know even that much is, I think, an even greater puzzle than what it is that we can’t know.

(c) 2016-04-07 Edited 2025-10-20

Cathy: Life, the Universe, and Everything. In a comic strip.

     Cathy Guisewite. Cathy Twentieth Anniversary Collection (1996) Our local paper used to run Cathy. We liked it then and we still like it, so Marie snapped up this book when she saw it at the Soo Library used-books room. I started reading it right away, and finished it the next day. Cost $1, worth every penny.
     Guisewite has the eye and ear for not only fashionable foolishness but also the underlying constants of human life. Self-confidence. Peer pressure. Obligations to work, family, friends. Conflicting demands on our time, our energy, our emotions. Amazing that we not only survive but from time to time may relish moments of calm and joy.
     Sample: Eating lunch, Cathy thinks: French croissants... French Brie... English biscuits... Italian pasta... Italian ices... Danish ice cream... Grecian pastries... Swiss fudge... Austrian chocolates... I used to feel fat. Now I feel global.
     I like the reference to Austrian chocolates. Highly recommended. The book too. ***

Night Train to Lisbon

     Emily Grayson. Night Train to Lisbon (2004) It’s 1936. Carson Weatherell, daughter of a well-to-do Connecticut family, meets and falls in love with Alec Breve, a Cambridge physics student also travelling on the Paris-Lisbon train. They embark on an intense affair, while the war clouds gather. Carson’s Uncle Lawrence (married to her Aunt Jane) tells Carson that Alec is a member of pro-Fascist group, the Watchmen, suspected of passing secrets to the Germans. He asks her to tell him everything she knows.
     She returns home, and tries to forget Alec, who shows up when she finally sends him a Dear John letter. Pressed, she tells him what Lawrence told her, Alec denies it, they go to London, where his foster mother tries to pull some strings, but Alec is arrested anyway. Carson goes to Cambridge to see his friends and discovers that one of them has framed Alec. So Alec is set free, they marry and live happily ever after. Oh yes, turns out that Carson is Jane’s daughter, conceived during WW1 before Jane and Lawrence married, and raised by Phillippa (Jane's sister) because her marriage was sterile.
     The story focusses on Carson’s feelings. The plot is barely enough for a medium length short story, but it isn’t the point. It’s Carson’s self-discovery and increasing self-confidence that matters. Sometimes, Grayson’s narration of Carson’s dialogues with herself sounds more like a psych lecture than a story. The inter-war years setting helps plausibility, but as with any fantasy-love Romance, the facts of the setting don’t matter much, really, and there are few errors. In the Epilogue, “Carson and Alec are married at the Old Bailey”, a hilarious error. I suppose Grayson assumed that since the Old Bailey is a court house, one may be married there. In the USA, yes, but not in the UK. The Brits talk like Americans, too.
     We see everything from Carson’s point of view. That’s the most plausible part of the book, as she is a naive and under-educated All-American girl. Her dialogues with herself are plausible, and she comes across as an intelligent and strong-willed woman. No wonder Alec falls in love with her. I read the book over about a month, in smallish chunks. I bought it because the key opening scenes are set on a train, and that was quite well done. I wouldn’t have read it otherwise. It’s above average as a Romance. **

Blood tests and illness: do the arithmetic.

(Thanks to John Paulos for inspiration)

Suppose a nasty but relatively rare disease that shows up every spring. Suppose that in any given year, 5% of the population will get it, and many of them will die. Suppose that researchers have discovered that if you catch the virus early enough, a short but expensive treatment will cure you. Would be nice to have a simple and cheap blood test, wouldn’t it?

Suppose now you read a news story that a lab has developed a blood test that will find evidence of the disease before you have any serious symptoms. It’s cheap enough to use as a screening test every spring. Suppose it is 95% accurate. That means, it will catch 95% of the people who have it.

Sounds pretty good, right? 

Think again.

Test 1,000 people for the disease. 5%, that is 50 people, will have it. You will find 45 of them.

What about the 950 that don’t have it? At a 95% accuracy rate, 95% of those will test negative and 5% will test positive. 5% of 950 is 47.5. So 47 or 48 people will test positive that don’t have it. Let’s go with 47.

So after 1,000 people are tested, we have:

5 false negatives
903 true negatives
Ratio of false to true negatives: 5 to 903, or 1 to 180.6, or 0.006%, or very low.
If you test negative, the odds are close to 200 to one that you don’t have it. Pretty good.

45 true positives
47 false positives
Ratio of true to false positives: 45 to 47, or 0.95 to 1, or 96%, or almost even.
If you test positive, the odds are almost even that you do not have it. Leaves you pretty much where you were before the test.

So if you take the test, and it comes up positive, you have a roughly 50% chance that you don’t have it. If it comes up negative, you have a roughly 99% chance that you don’t have it.

You realise that a vaccine would be better.

Read the news with a numerically critical eye.