[No editor credited] Railroads You Can Model (2002) Kalmbach’s Model Railroader for some years had a regular “Railroad You Can Model” feature. These were collected into two previous books, and finally a dozen were republished in this collection.
As the foreword points out (twice), these track plans are guides. With a couple or three exceptions, they aren’t meant to be built as drawn. They show how to adapt the information about the prototype into a workable design with enough detail to begin building. Two of the chapters show how the pieces that represent towns and yards could be placed around a room and spliced them together with additional track. (Such pieces are now called “Layout Design Elements”, or LDEs). The larger plans are merely one possible arrangement of LDEs, and as such are a good guide to layout design.
Most of the plans are for large rooms, single garage or half-basement size. A couple are 5x9 feet, slightly larger than the traditional 4x8 foot starter layout. For most readers, the book will have as much interest as a collection of histories (The Ma & Pa, McCloud River RR, G&MO, NY&O, etc) as a collection of track plans. **½
Mostly book reviews, plus whatever else I feel like posting. I welcome comments and conversation. Comments are moderated, so it may take a day or two for your comment to appear. Or send a mail to wolfmac@sympatico.ca If you quote, please also link to this blog. If you like this blog, please follow it. Highest review rating is four stars ****
03 September 2018
Young Widow Learns to Cope: Lolly Winton's Good Grief
Lolly Winton. Good Grief (2004) I bought this book at the Food Bank Permanent Floating Yard Sale. The first two or three pages got me. I put it aside for later reading, and now, about a year later, I’ve read it. Was it worth the wait? Yes, in many ways. Its presentation of the effects of grief trigger recognition in anyone who’s lost someone close.
Sophie Stanton has lost her husband to cancer. She can barely cope. After appearing at work in her robe and pink bunny slippers, she takes a break. Eventually, she sells the house and moves to Oregon to be closer to her friend, who’s lost a husband to another woman. It’s here that the story begins to feel constructed rather than imagined. Sophie needs someone to distract her from her grief. H’m, let’s see, a new romantic interest? Check, a handsome actor, but there will be a few bumps on that road. Someone to care for? Check, a Little Sister, but ditto. An unexpected discovery of a new interest? Check, Sophie likes baking, which presents a Business Opportunity! So everything ends happily, and somewhat too easily.
Winton writes well, she gives Sophie a convincing inner voice. She’s especially good at the wry or mordant one-liner, which make Sophie a complicated and flawed self-appraiser. She knows she’s wallowing in self-pity, but she also knows she can’t really do much about that. It’s the occasional external shock (such as being moved from table service to the kitchen) that nudges her towards recovery from her depression.
It’s the other characters that don’t quite work: we see them entirely through Sophie’s reactions to them, and Sophie is more interested in her own responses to them than in their stories. She asks them hardly any questions. So they are barely more than brightly coloured cutouts.
Worth reading? Yes, if you’re looking for something that will pass the time agreeably but won’t be too demanding. It will I think help those who are still working through their grief. **½
Sophie Stanton has lost her husband to cancer. She can barely cope. After appearing at work in her robe and pink bunny slippers, she takes a break. Eventually, she sells the house and moves to Oregon to be closer to her friend, who’s lost a husband to another woman. It’s here that the story begins to feel constructed rather than imagined. Sophie needs someone to distract her from her grief. H’m, let’s see, a new romantic interest? Check, a handsome actor, but there will be a few bumps on that road. Someone to care for? Check, a Little Sister, but ditto. An unexpected discovery of a new interest? Check, Sophie likes baking, which presents a Business Opportunity! So everything ends happily, and somewhat too easily.
Winton writes well, she gives Sophie a convincing inner voice. She’s especially good at the wry or mordant one-liner, which make Sophie a complicated and flawed self-appraiser. She knows she’s wallowing in self-pity, but she also knows she can’t really do much about that. It’s the occasional external shock (such as being moved from table service to the kitchen) that nudges her towards recovery from her depression.
It’s the other characters that don’t quite work: we see them entirely through Sophie’s reactions to them, and Sophie is more interested in her own responses to them than in their stories. She asks them hardly any questions. So they are barely more than brightly coloured cutouts.
Worth reading? Yes, if you’re looking for something that will pass the time agreeably but won’t be too demanding. It will I think help those who are still working through their grief. **½
25 August 2018
Floods and misleading clues: Babes in the Wood (Ruth Rendell).
Ruth Rendell. Babes in the Wood (2002) Rain, rain, and more rain. Rising floodwaters cover roads, bridges, and Wexford’s lawn. Two missing children and their minder are presumed drowned. But Wexford doesn’t think so. A leisurely telling of a tangled tale leads to a plausibly tangled solution. Rendell is really more interested in psychology than in police procedure. We get some more about Wexford’s family. Burden is little more than a well-dressed sounding board for Wexford’s musings. A good read for the fans, but not up to Rendell’s past standards. **
21 August 2018
A long way round to the truth: Shake Hands Forever (Ruth Rendell)
Ruth Rendell. Shake Hands Forever (1975) Mrs Hathall, an unpleasant mother-in-law, arrives at her son Robert’s carefully cleaned and polished home, and finds her daughter-in-law Angela dead on her bed. Robert’s reactions are oddly muted, which convinces Wexford he did it. It takes a year, and his nephew Howard’s help, for Wexford’s suspicions to be justified, with a twist that only the most alert reader is likely to suss before Wexford does. Burden for once is skeptical of Wexford’s theory, and does nothing to help.
Well done, with Rendell’s usual psychological insights. Since we believe with Wexford that Robert is guilty, the story deals with how Wexford solves the puzzle. A good read for any Wexford fan, but not the best introduction to Wexford and Burden. **½
Well done, with Rendell’s usual psychological insights. Since we believe with Wexford that Robert is guilty, the story deals with how Wexford solves the puzzle. A good read for any Wexford fan, but not the best introduction to Wexford and Burden. **½
17 August 2018
Everything Connects: The Knowledge Web (James Burke)
James Burke. The Knowledge Web (1999) Many years ago, when students complained that the stuff they had to learn was useless, I pontificated: “There’s no such thing as useless knowledge. At the very least, some fact will connect two other facts. You just don’t know which ones, until you do it.”
James Burke’s books and TV programs inspired this insight, and this one demonstrates another fact about knowledge: it’s all connected, somehow. It could be two people who know each other. It could be a problem to which someone else’s published insight provides a clue. It could be an idle question about some oddity. It could be deliberate speculation about possible answers. It could be knowledge brought into an apparently unrelated field. It could be – well, you get the idea.
The book also attempts to use a kind of hyperlink. Every now and then, numbers in the margin direct you to another reference to the same person or fact. You don’t have to read the book one page after another. The links lead through the web by another path.
Nowadays, we can click our way from one link to another. And with all such links, you depend on some other person recognising the connection and inserting the links. Most such links these days are designed to lead you to another product to buy.
Burke’s TV series Connections of 1976 predates the world wide web. This book builds on the insights and methods presented in that series and the book based on it, The Day the Universe Changed. Worth reading just for the fun of recognising how the bits and pieces of history link up. Good index and bibliography make this a reference book as well. ***
James Burke’s books and TV programs inspired this insight, and this one demonstrates another fact about knowledge: it’s all connected, somehow. It could be two people who know each other. It could be a problem to which someone else’s published insight provides a clue. It could be an idle question about some oddity. It could be deliberate speculation about possible answers. It could be knowledge brought into an apparently unrelated field. It could be – well, you get the idea.
The book also attempts to use a kind of hyperlink. Every now and then, numbers in the margin direct you to another reference to the same person or fact. You don’t have to read the book one page after another. The links lead through the web by another path.
Nowadays, we can click our way from one link to another. And with all such links, you depend on some other person recognising the connection and inserting the links. Most such links these days are designed to lead you to another product to buy.
Burke’s TV series Connections of 1976 predates the world wide web. This book builds on the insights and methods presented in that series and the book based on it, The Day the Universe Changed. Worth reading just for the fun of recognising how the bits and pieces of history link up. Good index and bibliography make this a reference book as well. ***
Labels:
Book review,
History,
Science,
Technology
06 August 2018
The body's afterlife: Stiff by Mary Roach
Mary Roach. Stiff (2003) Roach writes about the afterlife of cadavers, from providing organs for transplant to testing the effects of bullets to giving medical students understanding of human anatomy to uses you would never have thought of yourself. She writes well, has a nice sense of humour, and demonstrates a good deal less squeamishness than most of her readers. Highly recommended. ****
Labels:
Biology,
Book review,
Ethics,
History,
Science
03 August 2018
More about Rina Lazarus and Peter Decker: Milk and Honey
Faye Kellerman. Milk and Honey (1990) Number three in the Rina Lazarus-Peter Decker saga. Driving home late at night, Decker catches a glimpse of something. U-turns, drives back, sees nothing, stops and walks, finds a toddler on a front-lawn swing. The woman in the house says the girl is not hers, so Decker takes her down to the station and starts the process of finding her family. That leads to four murders, a dysfunctional family, and miscellaneous cross-currents and subplots. In addition, Decker’s old army buddy has been accused of rape and violence. Rina returns from New York, where she’s been for six months as she and Peter try to confirm their love. Peter continues his talmudic studies. The resolution includes more backstory about Peter’s Vietnam war service.Well written, with good use of dialogue to advance story and reveal character. Weak on ambience: Kellerman doesn’t spend much time on city- or landscape. We do feel the weather, though, it’s hot. A bit heavy on gore. Nevertheless, I liked the book. **½
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