2001: A Space Odyssey (Review)

     2001: A Space Odyssey (1968) Classic film, a creation myth. Based on Arthur C Clarke's short story "Rendezvous with Rama", and the book. Answers the question How did we become human? Clarke tended towards mysticism, see his Childhood’s End for an earlier treatment of the theme. Directed by Stanley Kubrick, starring Keir Dullea.
     I first saw this movie in the triple-screen version, with 16 or 32 speakers, which immersed you in the experience as no other movie technology has done. It enabled multiple images, the kind of layered visual experience that the web has made commonplace. The movie just doesn’t have the same impact in Cinerama,  especially on a TV screen. Howeve, the result of the smaller screen and only two speakers was a new insight: this is a movie about technology. The tension comes from the fact that Dave and Frank have to solve an engineering problem. Dave and Frank focus on the engineering challenge, suppressing whatever impulses to panic are roiling beneath their carefully calm surfaces. Impressive. It’s rare that problem solving in itself generates such anxiety.
     HAL-9000's misbehaviour endangers their lives, but its (his?) assessment of the mission is valid: something strange will happen near Jupiter. Just how strange is still a subject of debate: what does the light show signify? It’s some sort of journey by Dave, but he’s not in control, and whoever or whatever is taking him isn’t saying what or where. The scenes in the bedroom (decorated as a French palace) don’t answer any questions either and the appearance of the star child doesn’t help resolve the questions. Some sort fo rebirth is about to happen. Did Clarke and Kubrick envisage a sequel? There is one, 2010, which we’ll watch fairly soon.
     I think Clarke didn’t understand evolution correctly, or else wilfully forgot what he knew about it. This story, like Childhood’s End, implies some directing intelligence. Star people have some sort of soft spot for Earth and its life forms, and take a hand in directing their development. Clarke wants to believe that we humans are special after all, that our technical inventiveness denotes progress, and above all that scientific adbvances are a form of progress. It is, in a small way; but since our moral and intellectual development lags behind our technical skills, it is dangerous progress.
     One of the most impressive things about the movie is that all the visual tricks and illusions were achieved without computer graphics. Still, I give it ***