Hans Naumann. Die Minnesinger in Bildern (nd, but ca. 1935) One of the Insel Verlag series , the book reproduces a number of medieval paintings of German courtly love poets, made some time after the height of the fashion. The colour printing is state of the art for the 1930s, and quite attractive, although time and oxygen have darkened the pages. The Geleitwort (guide-word, i.e., introduction) by Naumann is interesting in its obvious reflection of Nazi ideology. There is no mention whatsoever of the origin of courtly love in the Provence. The whole phenomenon is presented as a strictly German expression of the culture of the noble knight, which itself is also presented with no reference to sources outside Germany. Germany at the time of the Minnesinger did not exist, but was a mess of princelings and kings quarrelling with each other over little patches of land for which there was no documented ownership, but this fact is simply passed over. Interesting example of how ideology distorts historical writing. *** for the pictures, * for the text. (2005)
Sunday, June 02, 2013
Hans Naumann. Die Minnesinger in Bildern (nd, but ca. 1935)
Subscribe to:
Post Comments (Atom)
Dave Cooks the turkey and other mishaps (Home From the Vinyl Café, 1998)
Stuart McLean. Home from the Vinyl Café . (1998) The second collection. It begins with Dave Cooks The Turkey , which has become a fixture on...
-
John Cunningham. The Tin Star (Collier’s, December 4, 1947) The short story adapted for High Noon . As often happens, the movie retains v...
-
Today we remember those whom we sent into war on our behalf, and who gave everything they had. They gave their lives. I want to think ab...
-
Noel Coward The Complete Short Stories (1985) Coward was a very clever writer. All of these stories are worth reading, but few stick ...
No comments:
Post a Comment