Poirot: Dead Man’s Folly (2013) Ariadne Oliver calls on Poirot because a Murder Hunt that she’s organised doesn’t feel right. A convoluted plot involving adultery, fake identities, family loyalty and such eventually unravels and the perps are unmasked. Many of Christie’s plots are implausible in the cold light of hindsight, but this one is more implausible than most. It’s also a weak entry in the David Suchet Poirot series, with too many shots of Poirot doing his Chaplin walk around the grounds of the house, along the river, in town, and so on. **
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