[At the Art Gallery of Ontario, extended to February 12 2017]
An educational show, arranged to lead the viewer through a contemplation of how landscape and landscape painting may satisfy spiritual longings. As such, it works, but I was far more interested in the pictures themselves than in the curator’s notions of mysticism and spirituality. So I did not listen to the audio guide (free), and avoided reading the introductory comments in each room.
So then, as a collection landscape pictures, how well does it work? Variable. You will see Canadian and other impressionists, Harris of course, some modern emulators of medieval and renaissance painting, abstract and realistic pictures, expressionists, in short a pretty good survey of styles. I was especially impressed by the large paintings of Eugène Jansson (here’s one), and a dark landscape by Schiele, which was not easy to read, but had a powerful effect on me. The disfigured landscapes painted by war artists also moved me. There were two Monet haystacks, they look like cupcakes.
Besides Jansson, a number of other painters were new to me. The last room, about “cosmic forces” or something like that, showed brightly lit pictures mounted on dark walls. It felt gimmicky to me, but two small Georgia O’Keeffes and a couple by Arthur Dove (new to me also) were satisfying.
The show is worth seeing. The thesis of the show is a good excuse to bring together a wide range of styles. The opportunity to see artists that most of us would otherwise ignore, tyrannised as we are by the concept of importance, is a bonus. Some pictures ****, most ** or ***, the show as a whole ***½
Monday, February 06, 2017
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