Louis L’Amour. Callaghen (1972)

    Louis L’Amour. Callaghen (1972) Another tale of a drifter, a private in the US Army a few days away from his discharge, who entangles himself in a situation he’d rather not be a part of. But his sense of honour and duty compel him to do what he can.  He can do quite a lot: rescue the passengers of a stage coach robbed by a couple of nasties, defend them and his military patrol from Mohaves, defeat those very same nasties when they come after him and the remaining passengers, and of course win the respect and love of a good woman. A nicely done adventure romance, with the usual L’Amour tropes. I read all but half a page while waiting for a minor procedure. The ER doc had to tend a couple more urgent cases than mine, so I had plenty of time. But I waited till I got home to read that last half page. Worth the wait. **½

Alexander McCall-Smith. Trains and Lovers (2012)

     Alexander McCall-Smith. Trains and Lovers (2012) Four people share a compartment from Euston to Edinburgh. Two young men tell the stories of their loves, the older woman tells of her parent’s love, and the older man keeps silent, but we learn about his life-long chaste gay love for his boyhood friend. McCall-Smith knows how to tell stories so that we want to know more. His writing is skilful, his dialogue sounds natural, his scene-setting creates ambience the way good movie music does: we hardly notice that it’s done, still less how it’s done.
     The events of his characters’ lives are hardly unusual. It’s McCall-Smith’s ability to make the ordinariness of life significant that explains his popularity. I find his books very readable, but they are finally not quite satisfying. They are very well done stories, but they don’t demand that we reflect on our own lives, they don’t make us rethink our prejudices and insights. On they contrary, they soothe us by suggesting that our attitudes are just fine the way they are. A young man and a young woman can find a life-long love despite the social distance between them. A young woman can be deceptive and duplicitous. A man and a woman’s life together can engender something deeper than mutual respect.  Love is more than sex, it can grow and continue without sex. Do we doubt these insights? Only if we insist on cynicism, and McCall-Smith somehow disarms the impulse to sneer. That’s what makes his books something more than pleasant entertainments. **½

Louis L’Amour. Shalako (1962)

     Louis L’Amour. Shalako (1962) Shalako, a man with no past, meets up with a European hunting party led by Frederick von Hallstatt, a Prussian baron who wants to enjoy a “skirmish” with the Apache. Irina Carnarvon, whom Shalako accompanied back to the camp after finding their wagon-master dead, lends him her horse, and he leaves to find a place to hole up while the Apache deal with the hunting party and move on. But he of course he can’t stay away. One bloody event leads to another, the Prussian baron learns that his officer training is useless against guerrilla tactics, most of the hunting party die, Shalako fights a duel with Tats-ah-das-ay-go, a ruthless Apache warrior, and wins, barely. Shalako and Irina ride off together.
     L’Amour knew exactly what he was doing. His stories are chivalric romances. He puts us directly into the landscape, we can feel the heat, smell the dust, see the sun-bleached colours. The characters are just this side of caricature, what makes them believable is their ability to learn and change. The hero must overcome his impulse to avoid adult responsibility. As Tats-ah-das-ay-go falls to his death, Shalako cries out “Warrior! Brother!” and comes close to weeping.
      I like L’Amour’s books, even though they cover the same ground over and over again. He knows how to vary the plots, his narrative pace and rhythm keep us wanting to read. His writing is compact, there are no wasted words. This one is above his average. ***

Margery Allingham. My Friend Mr Campion (2011)

     Margery Allingham. My Friend Mr Campion (2011) Collection of short stories and the novella The Late Pig. I finished that last night, and promptly started rereading the stories. Entertaining, with enough, if stereotypical, characterisation to make you care. There was a TV series starring Peter Davison (also known as one of the Doctor in Dr Who), which captured the look and feel of the stories very well. Like the other women from the Golden Age, Allingham’s strength is character. The puzzles are often too complex for plausibility, but the clues are fairly placed for those readers who like to solve the puzzle before the ‘tec does, and Allingham nicely navigates the inherent implausibility of the amateur sleuth. Campion's friend Oates advances from Detective Inspector to Superintendent. Campion may play a lone hand occasionally when he’s unsure of his ground, but he sees himself as an assistant to the police, not a competitor. Good collection. ***

Conrad Haynes. Bishop’s Gambit Declined (1987)

Conrad Haynes. Bishop’s Gambit Declined (1987) I’m a sucker for novels set in Academia. Here,  it’s a fictitious private liberal arts college in Portland, Oregon. There’s some satire of academics and administrators, but they’re easy targets, and Haynes is wise enough not to overdo it. The hero is Henry Bishop, a stereotypical unruly professor, who enjoys teaching and respects his students, as well as those of his colleagues who like him value thorough scholarship. A too-good-to-be true female detective sergeant and an apparent sleaze ball of a reporter interfere with each other’s investigations. The murders are designed to cover up an ancient semi-crime, and are not really necessary, but they make a good scaffold for the story, which is handled in movie-style scenes and with decent dialogue. The occasional authorial omniscient asides grate enough that I’d have cut them. All in all, good of its kind. **
  

Robert Crais. The Monkey’s Raincoat (1987)

 Robert Crais. The Monkey’s Raincoat (1987) Elvis Cole is P.I. in the classic mould: cynical, insightful, with a dry wit and a soft heart, driven to right wrongs no matter what the cost. Crais combines L.A, Hollywood, drug lords, corrupt politics, the sleazy side of show business, failed dreams, and a victim who becomes a heroine into a well done entertainment. There’s no puzzle, there’s just the question of whether Cole and Ellen Lang will be able to rescue her son before it’s too late. The central characters have enough depth to sustain interest and engage sympathy, and the secondary characters are well done animated scenery. The ambience draws heavily on the cliches of West Coast crime fiction, but Crais does a better job than most in emulating the classics. A series worth looking for, and collecting if you’re into that. **½

Nancy Pickard. Marriage is Murder (1987)

     Nancy Pickard. Marriage is Murder (1987) Jenny Cain and Detective Geof Bushfield’s wedding is set for two weeks hence, but several domestic murders threaten to interfere with their plans, and worse, Geof is so appalled at what he has witnessed that he wants to quit. Of course all’s well that ends well, but along the way Pickard delivers an extended if somewhat superficial examination of domestic violence. She’s hampered by not having enough space to explore the complex backstories of her characters, and can do little more than sketch the relationships and histories that bind them. Would she have delivered a better novel if she’d had more room? I think so. There’s more than a few hints that she’s really more interested in the psychology of evil and of human failures than in the crime puzzles that these engender. **½