Another Serving of Interviews

     John Mortimer. Character Parts (1986) A follow up to In Character, and just as good. Mortimer had a list of standard questions, but willingly departed from the list if an answer suggested further conversation. The effect very often is that I would like to talk to these people myself, that they would be good dinner companions.
     As in the first book, I get the impression of a complete character with every interview, although rational reflection reminds me that I’m getting a performance. Two performances, actually, Mortimer’s and the interview subject’s, and very convincing ones. Still, some of the subjects seem to me nicer people than others, more aware of their own vulnerabilities, less sure that they deserved their successes, even while they sought them. Lauren Bacall, for example, or David Jenkins, Bishop of Durham. Others have arrived at some certainty about their place in the world, such as Graham Leonard, Bishop of London, whose lack of doubt is dangerous, or Lord Hailsham, First Law Lord, whose certainty about his ability to reason prompts him to change his mind when a question suggests a different take on a problem.
     I think both of these collections are wonderful historical resources. They also allow a wallow in nostalgia. I knew of almost all the characters Mortimer interviewed. But even those who were new to me reminded me of the 70s and 80s, a time when I took many things seriously that now seem to me have been mere bubbles on the surface of the river. ***

BREXIT Vote

52% voted to leave, 48% voted to stay, 72% of eligible voters cast ballots.  So 37% of eligible voters wanted out, 35% wanted to stay, 28% didn't vote at all. Pre-vote polling indicated that Leave supporters were disproportionately older, male, white, working class and rural, while Remain voters were disproportionately younger, female, ethnically mixed, professional class and urban.

Historically, older voters are more likely to vote than younger ones. The polling showed a slight margin for Remain (the UKIP leader actually conceded a Remain victory before the votes were counted). Thus, even a small difference in percentage of voting on either side would affect the outcome. Which is apparently what actually happened. The BBC map showing the distribution of votes supports that analysis, I think. In several urban constituencies that voted Leave, the margin was as narrow or narrower than the national vote. Scotland voted to stay, but there were places where the vote was as narrow as south of the border.

So we have a profoundly disunited Britain that has put itself on the outside looking in.

It’s a given, I think, that the UK will not thrive economically outside the EU. The warnings that trade deals are off and will have to be renegotiated are real. England’s major export has been financial services. Without the ease of access to the EU, that value has hugely diminished. Other countries will be only too happy to supply those services instead. Its industrial base has shrunk, and like that of other developed countries has either been displaced or bought out by foreigners. That’s both good (it’s part of a multinational, global industrial complex) and bad (there will be less incentive to keep operations in Britain).

Politically, Britain will continue to be part of NATO and other international organisations, but its partners will, quite naturally, view it with a combination of disdain and suspicion. Disdain for the failure of the current leadership, and suspicion of the coming nationalist, inward-looking cadre that will attempt to fulfill the empty promise of reconstituted British greatness. But national greatness isn’t like orange juice: you can’t just add emotion and stir.

Socially, Britain is in for violent and bloody times. The Leave vote will encourage the racists and bigots, who will see it as permission to attack immigrants and other groups that they blame for all that they see as having gone wrong since the Second World War.

And will it even be Britain much longer? Scotland voted to remain: the SNP leader has already said she will introduce legislation to enable a Scottish referendum to leave Britain. That will embolden the Welsh separatists, too, and Lord only knows how the Northen Irish will react.

2016-06-24

Movers and shakers no more

     John Mortimer. In Character (1983) Collection of interviews of important, influential, and interesting people, first published mostly in the Sunday Times. Mortimer has the knack for getting people to talk frankly about themselves, and knows how to assemble the quotations that reveal and illuminate character and life. He’s an engaged interviewer, more than willing to give us hints of his own reactions and impressions.
     We end up believing that we know these people. We certainly know them better than we knew them before, but are Mortimer’s versions of them the real thing? That’s a pointless question: a person is their interactions with other persons. Mortimer’s willingness to give us his side of the interplay convinces me that we get an accurate record of what was done and said in that interview, even if obviously edited. What I make of these people is up to me; but in every case where I had prior and alternative knowledge, my impression of those people was enhanced and clarified. I’m left feeling that I would like to spend some time with any of these people, politicians, novelists, journalists, bishops, actors, artists, etc. I’m not sure whether I would have such a good time as Mortimer had, though.
     It’s also a record of its time. Many of the interviewees are now at best semi-remembered. The interviews remind me of the politics that seemed important at the time, and 30-odd years later, they show that some problems are as difficult to solve as ever, not because they are insoluble, but because the attitudes and values that cause them continue to prevent action. We humans are an irrational animal. As often as not, irrelevant feelings and wishes interfere with the ability to accept reality, and to fix what can be fixed. ***

For cat fanciers.

     [Quantum Books] Cats: A Pocket Companion (1998) A nice little reference book illustrating many breed of cats, with data about origin, conformation, colours, personality, etc. Useful in a limited way, well produced and printed, no typos. A “gift book”, found in a secondhand shop. It confirms my feeling that mixed-breed cats (for which we don’t have a word) will make the best pets. The effects of cat fanciers’ tastes on breed looks and conformation is looking to be as bad as on dogs. As near as I can figure out, our Alex was an American Shorthair and Siamese cross, mostly. He was a good cat. **

Talks about Shakespeare in 1960

     B. A. W. Jackson, ed. Stratford Papers on Shakespeare (1960) Given at the Shakespeare Seminar organised by McMaster University’s Extension Department. I don’t know if the experiment was repeated. The participants are listed, almost all of them are women. Teachers mostly, I would guess. I think they got their money’s worth.
     C. J. Sisson (in his day a noted Shakespearean) discussed King John as an Elizabethan history play, outlining Shakespeare’s selections from Holinshed’s Chronicles and arguing that the play amounted to propaganda for the Tudors. Of course. King John has always, I think, mattered more as propaganda than as history. Sisson reminds us that the modern veneration of Magna Carta would have made no sense to Elizabeth. I’d go a step further. I think that anyone suggesting the typical modern interpretation of it would have risked losing his head.
     John Cook gives some apposite and cogent remarks on music in Shakespeare, using his experience as a theatre composer to explain how Elizabethan players used music, and to argue that modern productions need modern music. Agreed. His slighting references to movie music betray a blind spot. Movies aren’t theatre in another medium, so music plays a somewhat different role.
     RCMP Sgt R. A. Huber, an expert in forensic handwriting analysis, gives a cautious “probably Shakespeare” as his verdict on who wrote the extant manuscript pages of The Boke of Sir Thomas More. Sisson’s afterword adduces content and style as support for what he regards as a clinching argument that we do indeed see Shakespeare at work here. I don’t know enough to either agree or disagree with his conclusions, so will stick with Huber’s “probably”.
    In Shakespeare the Writer, Sisson presents a rather too bardolatrous study of Shakespeare’s lost years, arguing that he must have been writing scripts for quite some time before envious rivals bothered noticing him as an upstart shakescene, a valid and important point. He traces Shakespeare’s development as a writer and dramatist, arguing that Shakespeare’s plays increasingly were about character: Hamlet is about Hamlet, he says. True enough, but that’s not enough. Hamlet’s despairing The time is out of joint, O cursed spite that ever I was born to put it right announces the theme of the play. It’s the disconnect between Hamlet’s sense of himself and his times that’s kept the play relevant for four hundred years. It is indeed “about” something, the alienation caused by an increasingly human-constructed world.
     I’ve seen many Shakespeare plays more than once (Hamlet at least 12 times on stage and screen), so I found Robertson Davies’s after-dinner talk the most congenial. He says that he’s enjoyed Shakespeare more the more plays he’s seen and the more often he’s seen them. Exactly. Sisson’s treatment of the plays as literature tends to misses the point. They’re scripts, and a script must be acted just as a score must be played.
     An uneven but interesting collection. Out of print, but if you like Shakespeare, it’s worth looking for. ** to ****

The Life And Times of Agatha Christie

     Martin Fido. The World of Agatha Christie (1999) I bought this book because the photos in it looked good. Now that I’ve read it, I’d recommend it to any Christie fan as a very good summary of her life and work.
     Fido uses the coffee-table book format to present carefully constructed snippets of information that add up to a complete picture of Christie’s life, and a fairly good summary of her work.  He’s a fan, but not a blindly idolising one, and reminds us that Christie was capable of producing duds. He notices her political naivete and casual racism, which contrast with her basic kindness and decency, suggesting that she didn’t reflect much on some aspects of life. We learn that she was an accomplished musician, that she took her work seriously, that she aspired to serious fiction as Mary Westmacott, that she and Max Mallowan had a happy life together, and that religion for her was a matter of faith, not rules and rituals.
       Well selected photos, but not enough of them. The date means that more recent adaptations aren’t treated. Too many typos, the kind perpetrated by over-reliance on spellcheck. There’s a more thorough Life of Christie hiding in this slim book. Recommended. ***

Bad boys and other fun stuff (book review)

     Cornelia Ostabrauck, ed. Das Kleine Wilhelm Busch Album (n.d.) Includes Max und Moritz, those terrible boys whose pranks damage humans and kill animals. Their demise is not mourned. Plus a handful of other Busch faves, including Der Virtuoso: Ein Neujahrskonzert, which reminds me of Gerard Hoffnung’s music cartoons. It’s quite likely that Hoffnung knew Busch’s work and was influenced by it. Busch has fallen out of favour in some quarters because of his combination of physical fantasy and psychological realism. He know that humans are not only imperfect but often intentionally evil. A nice little gift-book, about 5cm square, I have no idea how I acquired it. If you haven’t encountered Busch, you can find his books on the Gutenberg Project.***