Alice Munro Dear Life (2012)

     Alice Munro Dear Life (2012) The latest, and I suspect the last, of Munro’s story collections. She demonstrates the same ruthless powers of observation as in her other books, and the same ability to show us the moment of revelation, of self-discovery, of the momentous decision. But the decisions that change the course of a life are rarely known as such. In Munro’s world, as in real life, people choose what seems to them a minor expedience. Its effects redirect the course of a life, but that’s not seen for months or even years, when a chance glimpse of the past overlays the present with unrealised and unrealisable possibilities.
     Munro shows us the bones of a life, the topography of desire and need and fear and pleasure that underlies the roads and fields and woodlands of the everyday busyness and chores that we believe is the defining landscape of our lives. But this power of seeing below the surface is not enough to make art. Munro’s style wastes no words. In a few words, a single phrase, she can show us the essential detail, the unexpected insight that tilts the world into focus, the one remark that clarifies forever the relationship between two people who would otherwise never know what roles they play in each other’s lives, that one memory that shows what could have been. Her stories are not only life-like, but like life.
     Reading Munro stories, we are able to imagine our own lives as random patterns of our own and other people’s choices. She suffuses that randomness with significance. Not meaning or purpose, for meaning and purpose imply predictability and planning and successful progress towards a goal. In a random universe prediction is impossible. But we may explain the random sequence that links the past to the present. Munro shows how a life’s pattern came to be. She makes us believe that it’s enough to know how it happened, and leaves the why unanswered and unanswerable. Munro has the skill to leave us satisfied with this minimal explication of a life.. She leaves us accepting that the how is all we’ll ever know, and that it’s enough. **** (2012)