Ruth Rendell. Shake Hands For Ever (1975) An especially tricky murder, not in its method but in the planning. A woman is strangled and found by her mother-in-law while the husband looks elsewhere. Wexford is ordered off the case, but his nephew (also a policeman) helps him pursue discreet inquiries and about a year later the prime suspect is nailed. The puzzle is too convoluted, but Rendell’s ability to create believable characters and her insight into abnormal psychology shape the story into a plausible entertainment. This is a late Wexford; his backstory is taken for granted, and we don’t find out much more about him. He’s lost some weight and is attracted by a pretty widow, but he’s not one for casual dalliance. Michael Burden hardly figures. **½
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