The Sanctuary Sparrow

Ellis Peters The Sanctuary Sparrow (1983) Cadfael #7. A reread. A falsely accused jongleur, Liliwin, seeks sanctuary from the lynch mob. Cadfael eventually puzzles out the real robber/ murderer, and justice, after a fashion, is done. Like all Peters’ Cadfael books, this is a historical romance presented as a detective story. Although the characters show faults as well as virtues, Cadfael and Hugh Beringar (deputy sheriff of Shrewsbury) are a little too good to be true.
     Characterisation is somewhat Dickensian: characters are their quirks and faults and virtues, and little else. Unlike Dickens, Peters gives us very little of the characters’ inner lives, and contents herself with formulaic description. It works. Their language is of course pseudo-archaic, and that works, too. I think the image of the Middle Ages is too sanitised, despite the obvious brutalities. The TV series, because it could use visuals to generate atmosphere, presents a more believable image. This often seems to happen when entertainments are converted to TV. Multi-media are more efficient at creating the necessary sense of a complete world. Novels can do this, too, but romances are not novels; they don’t have the room to create a complete world. Perhaps this fact accounts for the popularity of series, for in a series each volume can add to the picture, and so expand the reader’s image of the fictive world. Very good of its kind. ***