Robert P. Parker Stardust (1990) (Borrowed from BR library.) A TV star is being harassed. Spenser takes on the job of protecting her, and then finding the murderer of her stunt double. After a series of vignettes typical of the genre, the case is cracked more by luck than skill, as the star goes to LA to be with a mobster who fathered her child. It transpires that her own father molested her when she was a toddler, which explains a lot of course.
Good fast hard-boiled smart-ass style. Spenser is the scarred knight of American detective fiction. Parker knows the genre, and does a skilled job. The chapters are short, with good dialogue; the whole thing is very cinematic – almost a script. As is usual with this genre, the love-interest is mere decoration (Spenser's lover is a psychologist, and you would think she could give him some relevant information, but she is definitely on the sidelines.) There is a politically-correct black, Hawk, who is Spenser's good buddy. The pathetic fallacy runs strong, again as required by the genre. Parker has an eye for telling detail, and the landscapes are nicely described. I read this book because a friend told me his book was more in the style of Parker, so I wanted to find out what this meant. *** (1999)
Tuesday, December 18, 2012
Stardust (book)
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