Ngaio Marsh. Off With his Head (1957) An oddity: a remnant pagan dance and drama becomes the occasion for murder. Alleyn’s restaging of the Sword Dance shows that the murderer acted without planning, but managed to obscure his trail enough to make his unmasking uncertain, except, of course, that Alleyn always gets his man. A bit creaky in places, with deliberately stereotyped characters, but a good entertainment nonetheless. ** (2007)
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