Ngaio Marsh. When in Rome (1970) & Black as He’s Painted (1974)

     Ngaio Marsh. When in Rome (1970) Alleyn joins a tour group in order to keep tabs on a suspected drug dealer and perhaps use him as a conduit to one of the big boys. A woman who hisses and spits at the dealer shows up dead, and a day or two later, so does the dealer. Alleyn and the Italian police do their best, but do not get any further with the drug investigation. However, the murderer of the woman was the dealer, and the murderer of the dealer was one of the tourists. Not that Alleyn passes on that discovery, if only because there isn’t enough evidence to charge the man, let alone convict him. As a puzzle, oddly satisfying despite its lack of resolution. As a character study, too many cliches, not one of Marsh’s best. **
     Ngaio Marsh. Black as He’s Painted (1974) The ambassador of an emerging African country is murdered at a reception for that country’s president. Alleyn was one of the people detailed to provide security, which is bad enough. Worse, he was at school with the president, who trades on their friendship. Two whites who are about to return to the African country also die by violence. The murder at the embassy is somehow tied in with a nasty little white-supremacy group, and orchestrated to remove the ambassador, an old rival of the president’s. The other two murders arise from hate within that group, and provide the link between the two events. Only the second murderer is brought to justice; the first one may or may not meet his fate in the African country when he returns there. A lovely puzzle, more careful characterisation than usual, and a little black stray kitten make for a better than average Marsh. **½ (2007)