Spike Milligan. The Looney (1997). Milligan was one of the script-writers for the Goon Show, which changed sketch-comedy forever. His writings have the same crazy mix of puns, riffs, dead-pan literalism, absurdly valid logic, and unexpected but somehow fitting plot twists as the shows. They also contain occasional bits of painful self-revelation. Milligan’s humour was his armour, his shield against despair. His rage at the hypocrisy and selfishness of the human race, at indifference to suffering, at the despoliation of nature, is barely contained. The combination makes his books hard reading at times.
Dick Looney believes his father’s claim that the family is not only descended from Irish royalty, but are the rightful rulers of the Isle. The story, such as it is, follows Looney’s attempts to confirm the rumour and claim his throne. The short chapters read like Goon-show sketches, but as in the Goon Show, they coalesce into a sufficiently coherent narrative that the ending satisfies. ****
No comments:
Post a Comment